Mar 14 2011

Painterly Portrait

Today I would like to share with you one of my recent works. I was working with this wonderful model for my “Better Halves” project and as we were almost done, I thought it would be pity to let her go without trying other things. Tasha Drugakova was helping me with the makeup and hair and I decided to use some of her hand made accessories to create this medieval look. The work of Lucas Cranach, the German Renaissance painter has always inspired me with it’s colors, lightning and subjects. To recreate that mood I used a dark green velvet  background. Also some transparent golden fabric from a fabric store. The crowns were made by Tasha Drugakova and I had the thought to combine them together for the heart shaped look. The lightning was natural window light. To get this painting look I used one of my textures.The best textures for that are stone surface textures.The right image was made with a long exposure, so you can notice a small motion, that also adds a painting like look.

 


Mar 7 2011

“Better Halves”

When I was a child I once heard a song with lyrics “where are you my half, I am missing you” and since that I was trying to find out how could one person feel himself or herself a half, not whole.

My first year in University I was studying philosophy and we learned Plato’s Symposium. The speech of Aristophanes made me very curious. It was an explanation why people in love say they feel “whole” when they have found their love partner. It is, he says, because in primal times there were three sexes : the all male, the all female, and the “androgynous,” who was half man, half woman and they were very powerful. The creatures tried to scale the heights of heaven and planned to set upon the gods . Zeus thought about blasting them to death with thunderbolts, but did not want to deprive himself of their devotions and offerings, so he decided to cripple them by chopping them in half, in effect separating the two bodies. Ever since that time, people run around saying they are looking for their other half because they are really trying to recover their primal nature.

“Each of us when separated, having one side only, like a flat fish, is but the tally-half of a man, and he is always looking for his other half.”

This was the main idea of the project I started to work in 2009. I wanted to show two parts of a person, one male and another female. I also believe that each of us still has both entities.We all are different and look different but there is something we all have in common. We are all looking for our better half.


Feb 24 2011

Spring Flowers with Textures

In line with the texture discussions, and as an example of art texture work, I’d like to share with you some pictures from my shooting for Brigitte magazine. The magazine is out now ( issue 6, March 2011 ) and you can see those lovely spring moods that we have created on it’s pages.

The concept (Baerbel Recktenwald and Dietlind Wolf) was to show beautiful flower bouquets created by Dietlind Wolf in a more vintage postcard style.

This comes naturally made through the photography technique I use and serves as an example thereof. The casting was also great and we found lovely models, all in all it was great fun to work on this project. It also gave me some new experience and inspiration, as flowers have not been, until now, a part or focus of my work.   And the spring will also come soon to our part of the Earth, so i hope you enjoy this story.


Feb 5 2011

Guide on creating textures

This is the first guide of the texture series, where I will give you a few tips and tricks how to easily and simply create your own textures and achieve some wonderful effects for your art photographs.

But first a small intro about how I started to use textures in my work. It was around 8 years ago when I became involved in photography, I was a member of a photography website, where I met some great artists. Emil Schildt was one who inspired me immediately with his wonderful work – it is, in fact,  incredibly beautiful. He works with an analog camera and processes his photos using dark room techniques, he uses vintage techniques as well. One particular of them I found very interesting, it’s called “Kill Your Darlings” and is achieved by destroying the negative. I also wanted to get the same result, but I had no possibility to work in a darkroom, I used  – already back then! – a digital camera, so I thought I would try it in Photoshop.

I would also like to mention that my love for those textures and scratches comes from my vision of our world. We all have some imperfections, little scars, we are not those glamorous blurred beauties we see everyday on the pages of different magazines. I hated that plastic look of digital photos. That’s why I decided to bring them into another light using textures, this is not just a philosophy but a mere vision and an attempt to breathe life into otherwise unreal and plastic digital photos.

I never work with any plug-ins or custom brushes, all my textures are hand made and applied in a simplest way in a post-processing program to the main photograph. It is very important to me that the process does not evolve mainly into digital post-processing but has a touch of handwork in it.

“Of course, there will always be those who look only at technique, who ask “how,” while others of a more curious nature will ask “why.” Personally, I have always preferred inspiration to information.” , said Man Ray and I totally agree with him. I believe that using different techniques or adding textures is not enough, or shouldn’t be the main focus of the work.  Textures should serve merely as instrument to add some mood to the image.

So now to the actual textures guide. Today I’d like to show you how to create simple yet very widely applicable and beautiful watercolor textures.  All you need is a blank piece of paper and watercolor. Apply it on paper with a piece of wadding to get this kind of an effect:

In addition, there is another way of making fancier and deeper watercolor textures with scratches.

Take a blank piece of paper and paint it with some – preferably – light color of your choice, for example with yellow with various brush strokes, as shown in this picture and leave some spare space around to get some kind of a frame, of course more or less evenly situated.

After the watercolor has dried up , take a regular candle and apply some wax on paper. Put another color above the wax, some contrast color, for example red, as shown here:

When this layer is also dry take a needle and make scratches on the surface, this is the creative part where you have to obviously try various techniques to achieve the result that suits your images best. In the end, you should get something like this:

Note how you can regulate how the yellow layer is visible through the scratches, this also adds some sort of a 3D effect to the whole texture.

Hope this gives many of you some inspiration to try out different textures! In the next posts I will go through the simple ways to combine the textures with your images in Photoshop – or any other digital post-processing software, for that matter.


Feb 3 2011

Self-portrait with a crown: textured version

As I promised here is the post processed portrait from my previous post.
The work I did to get this painterly effect with textured surface on this portrait is not so difficult. The textures I am working with are all hand made, this one was not an exception too. In one of my next posts I will tell you  how to create this kind of textures and how to apply them.

You can also comment/contact me if you’ve got points of interest that I could cover in my next posts!